Hot on the heels of our first four Ten Poets titles, we’ve gotten all fired up for another one! Launch your best words our way for
Ten Poets Travel to the Dark Side of the Moon!
sidekickBOOKS
The call for submissions for our latest books, the Hipflask Series, is open until 25th October 2021. These are unusual titles, even by Sidekick standards, so we’ve put together a series of short posts, one for each of the four books, breaking down the ideas and influences behind the book and what we’re looking for from you. This time we’re squinting and spying to find the covert comms in the texts all around us, with…
“I carry my unwritten poems in cipher on my face!”
– George Eliot
There’s a rich tradition of text-bothering in literature, and we’ve been keen to revisit this theme since our micro-anthology Korsakoff’s Paper Chain, which saw a hapless Meccano manual burned, eaten and dissolved, then painstakingly restored by poets making their best guess at its contents.
We’re after two different kinds of text for this title: firstly, pieces which conceal, typographically, a hidden message which an average reader stands a good chance of being able to figure out. Each piece should be no longer than 250 words, 25 lines of verse, or one page (see template for page size).
Secondly, we want your discoveries of hidden messages inside existing texts. You can send us high-res scans of texts you have annotated, blocked out or doctored to reveal the message, or you can send us an image accompanied by an explanatory text. The explanation should be no longer than 250 words, 25 lines of verse, or one page (see template for page size). The image should fit on one page. Bear in mind that the book will be printed in black and white.
There may be copyright issues with reproducing some texts, and we will have to examine these on an as-they-come basis. We recommend using texts that are in the public domain.
Please send us no more than three pieces per individual submission.
Brand names, fleeting trends and adult content. We want the Hipflasks to be as enjoyable 20 years from now as they are today, and we want to take them to as large an audience as possible.
• The New York Public Library has an excellent selection of text and image erasure art: https://www.nypl.org/blog/2015/04/20/erasure-literature
• Spycraft of all kinds, e.g. singer Josephine Baker’s secret messages to the French resistance, written in invisible ink on her sheet music.
• Vladimir Nabokov’s genre-dodging Pale Fire chooses not to deface or erase its core text (a poem by the fictional writer John Shade), but instead drowns it out with the pompous footnotes of his narrator, Shade scholar Charles Kinbote.
• Writing Through The Cantos by John Cage takes a typically disruptive approach to Ezra Pound’s opus, as Cage seeks and caps up the author’s name hiding in various lines:
Check the call for submissions in case your answer lies there. If not, email contact[at]sidekickbooks.com or find us on Twitter @SidekickBooks.
The call for submissions for our latest books, the Hipflask Series, is open until 25th October 2021. These are unusual titles, even by Sidekick standards, so we’ve put together a series of short posts, one for each of the four books, breaking down the ideas and influences behind the book and what we’re looking for from you. Today we’re encountering the mixed feelings, tense tangos and dark duels of…
Smeagol: [weeping] “I hate you. I hate you.”
Gollum: “Where would you be without me, uh? Gollum, gollum… I saved us! It was me! We survived because of me!”
Smeagol: [stops crying] “Not anymore.”
– Lord of the Rings: The Two Towers
You Again is a book bursting with romance and rows, magnetism and antagonism, sweet-sorrow partings and good-riddances. Contributors will each write about a person, place, idea, object etc. that both attracts and repulses them, raising both their heart-rate and their blood pressure simultaneously.
Love-hate relationships have been written about since time immemorial. Roman poet Catullus’ in Carmina 85 (Odi Et Amo), wrote:
“I hate and I love. Wherefore I do this, perhaps you ask.
I do not know, but I feel it being done and I am tormented.”
More recently in history, we’ve seen non-romantic examples. Take the fraught dynamic between James Joyce and Dublin, the hometown he fled but could not forget. Or Michael Bluth’s bungee-cord attachment to his dysfunctional family in Arrested Development. Something about these relationships keeps us coming back time and again.
We want your lyrical narrative or critical writing on something you both love and hate. This could be a person, an institution, an abstract concept, or anything else. We want to see the conflict and complexity that characterises these relationships laid out on the page.
For structure, think prose poems and micro lyrical essays. Maximum length if submitting in prose form: 600 words per piece. Maximum length if submitting in verse form: 50 lines per piece, and a maximum of three pieces.
Images, brand names, fleeting trends and adult content. We want the Hipflasks to be as enjoyable 20 years from now as they are today, and we want to take them to as large an audience as possible.
• William Wilson – Edgar Allan Poe’s short, sharp tale of paranoia and guilty conscience sees the eponymous speaker encounter an identically named man who follows the narrator throughout his life, seemingly to highlight his inadequacies and faults. The speaker begins by being dazzled by the other Wilson, and being mistaken for his brother, but this enchantment gradually turns to loathing and resentment, culminating in tragedy.
• Wuthering Heights (Emily Bronte) – one of the best-known literary love-hate tales. The pendulum of affection between Catherine and Heathcliff swings in the winds of the rough moors, from romance to rage to ruin.
• Here You Come Again (Dolly Parton) – a classic Dolly song about getting back on your feet after heartbreak, only for the heartbreaker to stroll back into town and undo all that hard work by smiling that smile.
• No Children (Mountain Goats) – this lilting, caustic ballad tells of a marriage of mutual, unbreakable loathing. A surprisingly popular song choice for weddings.
Check the call for submissions in case your answer lies there. If not, email contact[at]sidekickbooks.com or find us on Twitter @SidekickBooks.
The call for submissions for our latest books, the Hipflask Series, is open until 25th October 2021. These are unusual titles, even by Sidekick standards, so we’ve put together a series of short posts, one for each of the four books, breaking down the ideas and influences behind the book and what we’re looking for from you. Today it’s the turn of our Puckish playbook, full of rules and misrule…
“Not only does God play dice, but… he sometimes throws them where they cannot be seen.”
– Stephen Hawking
Games are not just pastimes or diversions. They allow to us to bat about ideas, meet and overcome resistance, come together with others (or find new ways of being with ourselves), and create new works as by-products of our play.
Games and poetry cross over in these goals, and this book gathers together new games with creative, poetic elements, in a jostling, joyful compendium for rainy days, holidays – all days, really.
Instructive, or didactic, poetry has been around for centuries. Ovid’s Ars Amatoria, Sei Shonagon’s The Pillow Book, Max Ehrmann’s Desiderata and even Mary Schmich’s ‘Wear Sunscreen’ speech (later set to music by Baz Luhrmann) all offer guidance on how to progress. This book gathers similarly instructive work, but instead of life, we want to know how to play games. Your games.
Send us the rules or explanations to your own invented games – up to three per individual submission. No game is too simple. They should be at least theoretically playable by readers, and as accessible as possible (i.e. not requiring expensive or exclusive equipment or staging). They can be reimagined versions of existing games, physical or mental, tabletop or outdoor, but the submission should consist mainly of a description of how the game is played.
You can include diagrams for illustrative purposes, but bear in mind that the book will be printed in black and white, and please take into account the page dimensions (see template in call). We’re looking for pieces not longer than 600 words for prose/prose-like text, 50 lines for verse, or three pages (again, check the template for the page dimensions).
Brand names, fleeting trends and adult content. We want the Hipflasks to be as enjoyable 20 years from now as they are today, and we want to take them to as large an audience as possible.
• Adam Dixon’s Gamepoems are a great place to start. Find simple ways of slipping poetry into your daily wanders.
•Sidekick’s own interactive Headbooks series includes puzzle and play pages linked to the poetry in the books.
• Holly Gramazio has created a treasury of digital and analog games. Among her many projects is a website with accompanying book called New Rules, exploring modes of play during the pandemic.
• House: Some Instructions by Grace Paley is a ladder or staircase of a poem, ushering us into the emotions of the house in question and guiding us in its care.
• How to Make Stew in the Pinacate Desert by Gary Snyder takes the form of a recipe, seasoned and peppered with environmental details.
Check the call for submissions in case your answer lies there. If not, email contact[at]sidekickbooks.com or find us on Twitter @SidekickBooks.
The call for submissions for our latest books, the Hipflask Series, is open until 25th October 2021. These are unusual titles, even by Sidekick standards, so we’ve put together a series of short posts, one for each of the four books, breaking down the ideas and influences behind the book and what we’re looking for from you. First up, we’re twisting words and queering quotations with …
“All generalizations are false, including this one.” – Mark Twain
Say It Again is Sidekick’s take on the grand tradition of collating the pronouncements, sayings, maxims, pearls, barbs, aphorisms and witticisms of notable and influential people. We want to pack the book with quotes, sage or otherwise – but edited, rearranged, translated and monkeyed with, so as to create new wisdoms and venture alternative meanings.
One influence was The Meaning of Liff by Douglas Adams and John Lloyd – a collection of odd English place names, to which the authors attach amusing and useful definitions:
Sample: “Amersham (noun): The sneeze which tickles but never comes. (Thought to derive from the Metropolitan Line tube station of the same name where the rails always rattle but the train never arrives.)”
We also had in mind various books of sayings and guidance, including Poor Richard’s Almanack by Benjamin Franklin, Mrs Beeton’s Guide To Household Management by Isabella Beeton and The Screwtape Letters by C.S. Lewis.
We did think at one point of trying to compile a book of gravestone humour and other, similar material, but we wanted to come up with something that left room for contributors to be creative and adventurous.
We want you to rejig and reimagine existing quotations. These might come from Cicero or Lizzo, statutes or songs, The Art of War or the Haynes Manual. Any text is fair game, so choose your sources thoughtfully and deliberately. Subvert, skew and swap elements until something very interesting emerges.
Alternatively, you can take a genuine quote and gift it to an entirely incorrect speaker. Or simply transplant the correct person saying the correct quote in time, space or context to change its meaning entirely.
Each misquotation/piece can be very short (the normal length of a quotation) and should be no longer than 200 words, 25 lines, or one page (see the submissions call for a page template). Send us up to 10 individual misquotations/pieces.
Images, brand names, fleeting trends and adult content. We want the Hipflasks to be as enjoyable 20 years from now as they are today, and we want to take them to as large an audience as possible.
• Nick Asbury’s Corpoetics would fall foul of our embargo on brand names, but the idea of completely remixing a corporate statement anagrammatically is one worth extending.
• Graham Rawle’s Lost Consonants wreak havoc through the removal of a single letter.
• The Archive of Misheard Lyrics could serve as a good starting point if you’re interested in working with pop songs.
• Or you might like to kick off by automating the process with The Incorrect Quote Generator.
Check the call for submissions in case your answer lies there. If not, email contact[at]sidekickbooks.com or find us on Twitter @SidekickBooks.
The next two books in our hit 10 Poets series, set for a late summer and spooky November release respectively, take us to the realms of buoyant buccaneers and cloaked counts. We’re looking for previously unpublished poems – on the longer side – in which the poet takes on the role of roving pirate or vampire’s guest!
We want writing that responds to the prompt embedded in the title – or, more accurately, writing which enacts what is proposed by the title! While this should, of course, have the general character of a poem or poem-adjacent text, it does not have to be a straightforward lyric piece. It could be a prose poem, vignette, short lyric essay – in fact, we encourage you to think in terms of longer, looser forms, of up to 500 words. This follows the trend established over our previous anthology series, which mixed and combined poetry with elements of essay, guidebook, puzzle, flash fiction and so on.
The titles in this series allude to broad themes from popular culture, and our intention is to subvert the usual stereotypes about what poets write about. But they’re a starting point – while each piece of work should technically fit within the remit, the series showcases how far a good writer can run with (and/or swerve from) a simple concept, while also investing it with unexpected depth. Feel free to submit what is in essence an advertisement for your own style and set of preoccupations.
It might be a good idea to look at previous books in the series for a clearer notion of the kind of work we favour, and also to get a feel for the dimensions and layout of the books. Pages are 130x185mm with a 16mm margin, and poems are typeset in Libre Baskerville 9pt. We try to give individual pieces space to breathe and space them out over a few pages.
At the moment we aren’t funded by the Arts Council or any other arts charity funding, and as we otherwise tend to operate on a break-even basis, we aren’t in a position to pay contributor fees this time. If your poem is selected for inclusion, however, you will receive contributor copies of the book and a discount code for all Sidekick titles.
For now, we’d like to have it so each book in the series contains a unique set of poets. This way the series will eventually, with a fair wind, grow to be a window onto the work of a significant number of contemporary writers.
It may be wise to take the road less travelled (even if that does lead you to a forbidding black castle with a strange owner). We aim for variety over the course of each short book, so while we will cover, or at least touch on, some of the more obvious set-ups and associations, we’re especially looking for poems that take the prompt in unexpected directions.
For Ten Poets Prowl the Seas in Search of Plunder, allusions to famous pirates like Anne Bonny or Blackbeard are likely to be popular, so we would advise digging deeper in your research. The title’s references to ‘plunder’ and ‘prowling the seas’ do not need to be taken strictly literally, of course. Other modern media, such as the TV series Our Flag Means Death, finds ways of queering or reinventing the old tropes, and we think poetry could go even further.
For Ten Poets Spend the Night in a Vampire’s Castle, there are a plethora of cliches to interrogate, subvert or avoid completely. The vampire is already a much-reinvented archetype, and has come to represent various aspects of humanity and our day-to-day experiences that are grimly (or seductively) familiar. The tone could be serious, of course – but then again, you might like to play with some of the sillier interpretations of the original stories.
Crucially, we do need to know about your night in the castle! Even if you never actually meet the master of the house, there’s plenty that could be said about his abode, or where its corridors and hidden staircases lead you.
While we encourage you to be inventive and experimental, and while we are keen to accommodate different styles, please do remember the dimensions of these books (see above), that they’re printed in black and white and typeset in a fairly consistent way.
Yes! We enjoy putting the books together and want to create a big collectible series, but they’re a lot of work and the market for slim anthologies is tough! Tell your friends these books exist!
Send one piece only as an attachment to contact@sidekickbooks.com, with the subject line ‘Ten Poets Submission: Plunder’ or ‘Ten Poets Submission: Vampire’. No need to include a bio at this stage – just a short covering note. The deadline is 23.59 on 18 May 2025.
No, we don’t. Sidekick specialises in collaborative and mixed-media work, with strong themes and blurred genre boundaries. Have a look at our other books to get an idea of what we do.
Please don’t! As a team of two people (working jobs alongside running the press), we don’t have time to reply to unsolicited collections sent to us.
There are many incredible presses who publish single-author collections. You can find a good starter list on the National Poetry Library’s website.
We release new calls via our newsletter (see bottom of this page) and through our social media accounts on Instagram, Threads and Bluesky.
We look forward to seeing your work!