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I have never enjoyed running so much / as when I have my white wolf’s paws under me / drumming the earth, showering blossom.

Coin Opera II cover

Coin Opera II

£12.00

edited by Kirsten Irving and Jon Stone

The sequel to Sidekick's first ever micro-anthology, Coin Opera, Coin Opera II: Fulminare's Revenge is the bigger, brasher, more hotfoiled upgrade: a clickable love letter to the video game. Formal experiments mimic and subvert trope and genre, as Sidekick dives into the treasure chest of gaming. Expect fight poems, boss poems, team-ups and more. Features a foreword by Marvel writer and former NGamer journalist Kieron Gillen.

edited by Kirsten Irving and Jon Stone

Featuring poems by

Kayo Chingonyi, Samuel Prince, Ross Sutherland, Matt Haigh, Joe Dunthorne, Nathan Penlington, Phil Brown, Aliya Whiteley, David Floyd, Simon Barraclough, Richard Watt, S.J. Fowler, Abigail Parry, Melissa Lee-Houghton, E. Kristin Anderson, Charlotte Geater, Ben Wilkinson, Niall Campbell, Chrissy Williams, Sam Buchan-Watts, Claire Trevien, Chelsea Cargill, Gabrielle Nolan, Harriet Moore, Kate Potts, John Clegg, Charlotte Runcie, Isobel Dixon, Cliff Hammett, Holly Hopkins, Luke Kennard, Emily Hasler, Ben Stainton, Posie Rider, Dan Simpson, Francine Rubin, James Brookes, Harry Man, John Canfield, Jon Stone and Kirsten Irving.

168pp, ISBN 978-1-909560-21-5

Product Description

Once again, Dr Fulminare has set a generation of plundering wild-head poets loose on the whole four-decade span of electronic gaming, compelling them to seek out mystery and meaning in a panoply of virtual realities. This time the scale is grander, the rewards richer, the effects dazzling in their variety. Mixing existing poems by well-known performers like Ross Sutherland and Nathan Penlington with newly commissioned work from a plethora of young writers, Coin Opera 2 uncovers the surprising similarities between the two mediums: the hidden rules and restrictions, the role of rhythm and structural repetition, the need to access that vital space between ‘too hard’ and ‘too easy’ which snares the human imagination, and, fundamentally, the importance of play. These are poems that don’t just respond to the games that inspired them, but mould and reshape them, mimic and tinker with form and convention, fuse and confuse our world with theirs. Expect poems made entirely out of Playstation controller inputs, Lemmings as a metaphysical tale of transcendence, Caligula cynically gunning for a role in Final Fantasy IV, two-player head-to-head and collaborative poems, and mega-size boss poems. Everything, in fact, that the good Doctor needs to make his dreams of vengeance and world domination a reality.

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